Wild At Heart

Katie Robinson English 20 Mr. Langmead Paper #2 Love Lies down the stairs the Surface of the Water         The excerpt from Wild at Heart, by Barry Gifford, is the story of a ex-convict and his girlfri ratiocination who be traveling cross(prenominal) country to escape the problems at home. boatman and Lula are everyday run extraneous screwrs. Only, they are being dragd by a hit man, and urinemans parole officer. In the expcerpt from Wild at Heart, the causality uses the symbolism of peeing in relation to drinking straw hat, Lula, and Johnnie to illustrate and quite a puny off their relationship.         The excerpt begins in the chimneypiece Fear Hotel where Lula and bluejacket befool stopped for the night. Lula is watching the river as it enters the Atlantic oceanic(1). This is symbolic of their coming together. Sailor is mistakable to the ocean. Oceans are normall(a)y notion of as wild, unpredictable, and dangerous . Sailor was in jail for twain years for the manslaughter of tag Ray Lomon, and aft(prenominal) he was released, he ran forth from his living-room officer, which would classify him as wild and unpredictable. Lulas produce is dismay that she could exit a convict, and is certain the he mustiness be dangerous. Lula is similar to a river. Rivers just follow the river bed and drop along until they meet the bigger ocean and then be coiffure stir up of it. Lula has decided to go along with Sailor and follow him wheresoever he goes.          Lula has left her cause and is in a peeled world with danger and risk. She is exhausting to sail her way belief he cutting intent she is making for herself. While Lula is in her Hotel Room she watches the fishing boats navigate the narrow fetch(1). As boats come push through of the channel they have to watch out for from each unmatchable former(a) and be wary of the rough weewees as they set aside the protec tive walls of the channel.      !    Sailor is fascinated with Lulas eyes. When he was on the chain gang in prison he sen clocknt more or less them often. They kept him sane. When he was in a ugly ordain, what kept him hopeful and never let him get down(p) was the conceit of his extol for Lula. By thinking of her it almost took him outside to a paradise. He swum in them[Lulas eyes] as if they were great cool, decrepit lakes with venial violet islands in the middle.(1).         Lula sack outs Sailor more than anything. She must if she could march on everything behind to be with him. He marks her deepest(1). She didnt break-up with him after he killed someone, and after her mother forbade her to see him.         Lula and Sailor slop about the brand of cigarettes they smoke and the kind their parents smoked. Sailor tells her that his mother died of lung bathcer. ulterior on in the excerpt Lula took one more clout and threw her cigarette out the windowpane into the river(1). This is symbolic of her throwing dying away to Sailor. Not physical death, hardly emotional death. She has disposed(p) herself to Sailor and he has love her back, hence saving her from a life of mediocrity. He has given her something spectacular, love.         The love between Sailor and Lula is in its purest form. They love uniform obviatebarianren. Sailor asks Lula how she got such courteous unbendable shoulders. She responds, Swimmin, I guess, even as a child I loved to swim(1). In this case the water she swims in is deterrent example of Sailor. She is like a child, innocent and relianceing. He is the strong powerful ocean, care her afloat, and making her strong, with his support and love. Lula also talks about when she was little she was naiant and a leach stuck to her, it was awful(1). This can be interpreted as Lula having past bad experiences with love. just now this time she is totally in love and is placeing of h er lover.         Sailor and Lula are ! meant to be together. When Lula is in the Cape Fear Hotel, she looks out the window and says, how spooky it is to be at the absolute end of a body of water(1). In this case the river she is looking at is representative of the journey of looking for your life partner. She knows that it is over and she bequeath be with Sailor for the rest of her life. She is a little queasy because she knows she result never be with anyone else again, and that commitment is overwhelming.         An attri thoe of water is the fact that a body of water may be one thing at the surface, but something totally distinguishable underneath.

The ocean is beautiful with a sunset in the background, but underneath the surface their could be blood hungry sharks swimming somewhat; or it could be violent and stormy on the surface, but calm and cool underneath. This theme is seen throughout the in all excerpt. Johnnie Farragut is introduced at the very end, he is a hit man, bind by Lulas mother to kill Sailor and bring her skirt friend back home. He sits in a bar and watches baseball. He feels a ripple in his locus ceruleus, the place where dreams emulate(1), and decides decision Sailor can wait, because he should write a story. finished the character Johnnie, the author exhibits mans ability to have two divergent personalities, or dimensions to them. He is a paid killer, as yet he wishes he was a writer. Johnnie fantasizes about the television prove The twilight(prenominal) Zone, and is sad that it has been canceled. He is sad about a TV show, yet he kills people for a living. In a simmilar w ay Sailor is different on the surface than he is on t! he inside. He is a ex-convict, who has killed a man. Yet, he is so tender and loving toward Lula. On the outside Lula is a young, naïve, girl who is just following her lover. But, it takes courage and strength to feed a life behind and start a innovative one.         Throughout the excerpt Wild at Heart, love and trust cone into play over and over again, especially in relation to water. The protection offered by water is also disposed(p) in a loving relationship. If one exercises in, and takes advantage of water is makes them stronger; in the same way if someone takes advantage of love it makes them a stronger person because they have someone else who has their best chase in mind. Gifford helps the reader understand love, by using Sailor and Lula in correlation with water to illustrate love.          1. Postmodern American Fiction. Geyh P, Leebron FL, Levy A.Wild at Heart. Gifford, Barry. New York and Chicago:W.W. Norton & Company, 1998. 281-286. If you imply to get a full essay, order it on our website: OrderCustomPaper.com

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